Bob Dylan recruited them as his backup group for a 1965-66 world tour. As the Hawks (minus Helm, who stayed behind), they helped effect Dylan’s transformation from an acoustic folkie to an electric rock and roller.
Dylan’s collaboration with the Band continued throughout 1966 in upstate New York, where he recuperated from a motorcycle accident. Working in casual sessions with the group (including Helm) at a rented house in Woodstock, Dylan put together a heavily bootlegged body of material that would eventually see release as The Basement Tapes. All the while, the Hawks - now calling themselves the Band - recorded a large number of original songs. The material they wrote and arranged at the pink house, using what drummer Levon Helm described as a “workshop approach,” surfaced on Music from Big Pink and on side four of Dylan’s Basement Tapes.
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